Aamir's DHOOM:3 first Bollywood film to release in Imax
Yash Raj Films and IMAX Corporation today announced that the action thriller DHOOM:3, the next offering from YRF, will be digitally re-mastered in the immersive IMAX format and released in IMAX theatres across India and select global locations next year.
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Aamir's DHOOM:3 first Bollywood film to release in Imax
From producer Aditya Chopra and director Vijay Krishna Acharya, and starring Aamir Khan, Dhoom:3 is the next installment in one of the most famous franchises in Indian box office history. Also starring Abhishek Bachchan, Uday Chopra and Katrina Kaif, the film tells the story of the adventures of Jai Dixit, a no-nonsense cop, and his scatterbrained partner, Ali. The success of DHOOM and DHOOM:2 have established this as Bollywood's pre-eminent franchise.
Speaking about this collaboration, Yash Chopra said, "IMAX has always symbolised high quality film entertainment and experience and this vision of the company works very well with the ethos of YRF which has been synonymous with Indian film entertainment over the last four decades. We are indeed happy to announce our association with IMAX for the additional release of DHOOM:3 in this exciting format next year. Added to the anticipated thrill that the film promises, this IMAX experience will give it an all new edge of the seat dimension altogether. We look forward to closely working with their team over the coming year."
"Our network growth in India has reached a point where we're now able to present local-language films in IMAX, which is paramount to our success in the region," said Greg Foster, Chairman and President, IMAX Filmed Entertainment. "We're very excited to begin this partnership with Yash Raj Films and look forward to working with director Vijay Krishna Acharya and Yash and Aditya Chopra on this highly anticipated Bollywood blockbuster. With its riveting action set pieces, global locales and stunning visuals, DHOOM:3 is an ideal film to take advantage of our immersive format as we begin our initiative with Indian-language/Bollywood films." More
Kareena's powerful performance in naked look at Bollywood shennigans
Somewhere deep within the corroding flamboyance of filmdom, there is a tale of heartbreaking compromises and immorality tucked away from the naked, tearless eye. Madhur Bhandarkar nearly gets to the nerve centre of that world, and then pulls back just before he's really gotten there.
"Heroine" is an intriguingly unfinished film - partly in the rapidfire mood of a game show and partly like an elegiac melody played gently on an antique piano with immaculate fingers. It lacks a centre, sometimes even a focus as it tries to cram in too many incidents, episodes, scandals, controversies and plain absurdities that are an integral part of Bollywood, so much so that the first hour or so gets suffocatingly airtight.
And then you realize towards the end, that the world of the superstar Mahi Khanna traps the star, makes her a puppet of success, traps her in a web of deceit and finally throws her into a whirlwind of vaporous deceptions.
The closing moments have that gut-wrenching element which made Bhandarkar's "Chandni Bar", "Page 3" and "Fashion" among the more sensitive dramas in recent times.
We see Mahi, shattered forlorn and bereft, trapped in a car surrounded by merciless television journalists. As the haunting background score by Salim-Sulaiman builds up to a shattering crescendo, Mahi's hands fold together in a plea of mercy. In moments our hearts bleed for Mahi.
God help those who are cursed with stardom. They first have to struggle to get there. And then they must continue to fight to cling to their place. And then, as Govind Namdeo playing Mahi's quietly faithful secretary tells her: "An actress' life-span is by its very nature limited". More
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